The Indianapolis Airport Authority decided Friday morning to spend $105,000 on a new piece of public art by James Wille Faust. The authority created controversy in 2011 when it removed another piece by Faust from a prominent spot in the airport.
Bob Carter’s Sammy Terry character was a fixture of Indianapolis television from 1962 to 1989, beginning each episode of "Nightmare Theater" on WTTV-TV by climbing out of a coffin with a trademark fiendish chuckle, wearing a blood-red cape and skullcap, and green makeup on his face.
Recipients in central Indiana will include the Indianapolis Children’s Choir, Heartland Truly Moving Pictures, and the Indianapolis Symphony Orchestra.
Although ever-present smartphones have unleashed a creative spirit in many of us, the artists’ work featured in the iCreate show is a far cry from the selfies that fill your Facebook feed.
“Ghost Brothers of Darkland County,” which plays in Bloomington and Indianapolis in October, is a musical that’s not quite like anything out there — as you might expect from two of America’s most independent artists.
Managing Director Steven Stolen will leave the repertory theater for a position with Rocketship Education. Other local performing arts executives stepping down are John Pickett of the Indianapolis Opera and Kirk Trevor of the Indianapolis Chamber Orchestra.
The five-year program is designed to transform the Indianapolis Museum of Art into a more visitor-centered institution. The first year will include enhancements to the upcoming Matisse show.
This year’s event includes more promotion, more prize money—and an art installation of pianos on Monument Circle.
Tenants include interior designers, artists, kitchen cabinet firms.
The ISO hopes that occasionally featuring classically trained artists who stray from traditional symphony conventions will tap new audiences and fill empty seats.
A new feature is being added to the controversial LED screen installed more than a year ago, and the concourses will get new non-video art.
Save Our Scenic Central Canal, led by local activist Clarke Kahlo, is objecting to the proposed Art2Art project that would develop and decorate 4-1/2 miles along the Central Canal towpath.
Union representatives for Indianapolis Symphony Orchestra musicians are spilling more details about negotiations with ISO management, which is planning major structural changes to address the orchestra's ongoing financial issues.
Leaders of a church-affiliated Indianapolis arts organization are citing an unsustainable business model as the reason why doors will close at the end of the month. Earth House Collective will host its final events on Aug. 31
The Big Car arts collective is shifting into a higher gear, with a budget this year of $250,000, a new westside events hub, and a paid staff that no longer fits into a sedan. Executive Director Jim Walker provides a front-seat view.
The CityWay development is generating more work for artists—this time three Indiana muralists who will paint the facades of downtown-Indianapolis rail bridges.
The unusual find occurred when the museum, which boasts the largest collection of T.C. Steele paintings in the country, shipped one of the Hoosier artist’s works to be cleaned by a conservator. He said the 122-year-old hidden canvas he found underneath was like a “King Tut” discovery.
The National Art Museum of Sport is considering leaving Indianapolis, a possible move stemming from the planned conversion of its home at University Place Conference Center and Hotel into a student residence hall for IUPUI.
The collection brings to light a bygone era in advertising when Block's and other big downtown department stores ruled the retail landscape and employed their own fashion illustrators.
Three years after budget cuts threatened the state-run Indiana Artisan program, the newly independent organization is moving ahead with ambitious plans to broaden its reach—and help artists and food producers build their businesses.
