UPDATE: Indianapolis Opera leader bows out after less than two years
Kevin Patterson has stepped down at mid-season as general director of the struggling Indianapolis Opera and has quickly been replaced with a new leader.
Kevin Patterson has stepped down at mid-season as general director of the struggling Indianapolis Opera and has quickly been replaced with a new leader.
The Indianapolis Opera will kick off its 2016-17 season with the world premiere adaptation of Kurt Vonnegut Jr.’s play “Happy Birthday, Wanda June” with music by Richard Auldon Clark of Butler University.
Indianapolis Opera does away with printed guides; what is gained, and what’s lost?
The troubled Indianapolis Opera—which hasn’t produced a show since March 2014—has hired Kevin Patterson as its new leader.
Steven Stolen, a former managing director of the Indiana Repertory Theatre, will work as an independent contractor for 25-30 hours per week until the target Oct. 1 completion of the evaluation.
Artistic Director James Caraher has tendered his resignation after 33 years with the Indianapolis Opera, the general manager of the struggling arts organization said Wednesday afternoon.
Confirming an earlier IBJ report, Indianapolis Opera officials said they didn’t want to risk the possible financial strain of a fourth and final production of the season.
The Indianapolis Opera plans to cancel the fourth and final show of its season amid ongoing financial issues, multiple sources close to the organization said Tuesday morning.
The IMA offers a brilliantly colored blockbuster while the opera presents a shark with no teeth
Managing Director Steven Stolen will leave the repertory theater for a position with Rocketship Education. Other local performing arts executives stepping down are John Pickett of the Indianapolis Opera and Kirk Trevor of the Indianapolis Chamber Orchestra.
Season closer tackled Wagner’s large-scale seafaring tale. Plus, thoughts on ‘4000 Miles’ at the Phoenix Theatre.
IU fills a spot in Indianapolis Opera’s schedule with Philip Glass’ challenging “Akhnaten.”
What will be on the minds of A&E patrons and producers this season?
Next season will start later and feature a money-saving collaboration with Indiana University.
Thoughts on ‘Oedipus Rex’ on the grounds of the IMA, Indianapolis Opera’s excellent ‘Faust,’ and more.
Unfamiliarity breeds appreciation at intimate double bill: “A Water Bird Talk” and “Bon Appetit!” paired at Basile Opera Center.
Thoughts on the Phoenix Theatre’s “Spring Awakening” and Indianapolis Opera’s “Madama Butterfly.”
When word went out that one of the three Indianapolis Opera presentations this season would be a production of “Carmen,” sans chorus, sans full orchestra, sans biggie-size sets, and sans Clowes Hall stage, it was perfectly understandable that some patrons may have lowered their expectations.
Thoughts on Indianapolis Opera’s “The Mikado.” Plus, the holiday season arrives early with Beef & Boards’ “White Christmas.”
IBJ’s annual rundown of issues the A&E world will be obsessing about this year.