The Lume, a permanent exhibition space engineered by Austrialia-based Grande Experiences, will feature 30 works by artist Vincent Van Gogh showcased through floor-to-ceiling projections.
Regal had been one of most notable holdouts in the gradual reopening of cinemas nationwide. For nearly half a year, its 7,211 screens and 549 theatres in the U.S. have been dark.
The settlement agreement brings the legal wrangling over the estate of the artist who grew up in Indianapolis and is known for his iconic “LOVE” series closer to an end.
Cultural development startup GangGang, which was enlisted to curate an exhibition highlighting a local mural celebrating the Black Lives Matter movement, said it has stepped away from the initiative.
The marketplace it says is open to all artists, regardless of their affiliation with the center or where their wares are displayed.
Podcast host Mason King talked with Julie Goodman, president and CEO of the Arts Council of Indianapolis, about the group’s fundraising efforts and grant programs meant to sustain artists and arts groups. In addition, two artists join the conversation.
Nicole Lewis’ online shop, Art2theextreme, has first-to-market position on the platform with its trademark “The Original Rainbow Crayon.”
Keep Indianapolis Beautiful and the Arts Council of Indianapolis have teamed up with 72 local artists for a project that has put 107 pieces of art on temporary display all over town.
The Indianapolis restaurateur, who owns the Stacked Pickle chain, has been working since 2017 to bring his story to the big screen; this month, he launched a crowdfunding campaign to help raise part of the cost.
The latest in a series of art installations in Carmel’s roundabouts has reinvigorated the debate over the city’s public art—and whether residents should have a direct say in its procurement.
The curtain is set to be raised on a nightly five-minute patriotic light and sound presentation that local officials say will cast Monument Circle in a whole new hue and could draw tens of thousands of people annually to the iconic landmark.
Painter Justin Vining is something of an anomaly. What makes him unique isn’t so much his art as his data-driven approach to selling it.
Indy Art & Seek is a collaboration between the arts council and Keep Indianapolis Beautiful. Funded with a $674,520 grant from the Lilly Endowment Inc., the program will commission artists to create six large-scale, permanent installations in green spaces around the city, along with 100 smaller, temporary installations.
Reynolds Farm Equipment’s popular and massive holiday light display that’s long been a fixture outside its store at State Road 37 and 126th Street in Fishers is moving to Conner Prairie for the museum’s new Merry Prairie Holiday Festival.
An artist known for her association with Taylor Swift and another who has been creating graffiti-inspired art since the 1980s are adding their talents to the $135 million second phase of the downtown mixed-use development.
The new owners, who recently acquired the 24-acre property, say they’ve already made some improvements to the four-screen outdoor theater, which has been in operation on the west side of Indianapolis since 1967.
Indianapolis Cultural Trail Inc. officials announced Wednesday that they’ve raised enough money to keep a popular electronic piece of public art in operation for years to come.
Established in 1997, Creative Works designs, makes and installs set pieces and props for a host of entertainment venues, including escape rooms, virtual reality and esports venues and indoor miniature golf courses.
If successful, the Keep Ann Dancing fundraising campaign, announced Thursday morning, will pay for hardware and technology upgrades and a maintenance fund for Ann Dancing by British artist Julian Opie.
More than two years after vacating its base of operations in Fountain Square, the city’s museum dedicated to contemporary art has formalized its metamorphosis into a more nomadic organization.
