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A few years ago we went to see Dwight Yoakam at the Palladium, which I call America’s finest cul-de-sac community center. (Whenever I’ve gone there, I keep waiting for those old guys from the Muppets to pop out from the upper wings.) Dozens of people were walking out because of feedback. Unacceptable in a modern hall. I heard later that Dwight Yoakam is almost deaf, so he runs the monitors so hot that feedback is almost inevitable in a poorly designed room. Kind of shocking that Carmel spent all this money to build the wrong thing. A rare Brainard mistake, I suppose.
The Palladium’s concert hall acoustics were designed by New York-based Artec Consultants Inc. specifically for classical music. In fact, before construction, the vision for the Palladium was that it would primarily be a place for weekly classical music concerts, according to Scott Hall, communications director for the Center for the Performing Arts.
But that was not a viable business model, so the venue’s schedule was broadened to include a wider variety of music.
Bringing in more big acts is a joke? Bigger acts cost more and the place only has 1600 seats. They are continuing to lose money because the acts costs more than ticket revenue. Carmel is subsidizing the Palladium with $3-5M of tax payer money. Bigger acts will require more subsidy by Carmel taxpayers. The place if just too small.
The place should be razed and more apartments built.
Those are the same speaker stacks they have at Ruoff. You can hear those loud and clear from a half mile away. Sure to blow the roof off along with a few eardrums in the Palladium.
Carmel leadership continues to forget that it’s actually a suburb of a vibrant city with a full range of world-class concert venues. Why waste money on trying to be something you aren’t?