Reviews: ATI’s ‘Musical of Musicals’ and B&B’s ‘9 to 5’
Comedic musicals take north side stages.
Comedic musicals take north side stages.
The latest IBJ A&E road trip features a world premiere, heading-for-Broadway musical.
The change would save the state $24 million in 2015 and another $48 million each year thereafter—all money that’s now being collected from gambling taxes and sent to cities, towns and counties.
Third in a month-long series of “possessive men” restaurant reviews.
At an awards-show parodying gala, ComedySportz celebrated two decades of spontaneous laugh-making.
Gary Ginstling acknowledges the heap of work that awaits him when he begins as CEO of the Indianapolis Symphony Orchestra on March 18.
The notorious boxing legend returns to Indy to kick off the national tour of his one-man show.
The Indianapolis Symphony Orchestra announced Wednesday that it has named Gary Ginstling as its new CEO. He replaces Simon Crookall, who resigned suddenly in February 2012.
Fred Astaire, violinist Daniel Hope, and tales of the first woman U.S. Presidential candidate all promising choices.
Nearby businesses hope upgrades to the Indianapolis Motor Speedway from a proposed state taxing district would pave the way for additional offerings at the venue, including night racing.
The ISO, Noise! and ComedySportz were all on my weekend A&E agenda. What about yours?
New musical adaptation of the hit movie hasn’t yet found its musical feet.
Summer schedule includes a tribute to the Rolling Stones.
When a region stands to lose one of its finest actresses, a critic can’t be too proud to beg
The Indianapolis version of the national chain is lower-key than its counterparts.
It was fitting that, on Feb. 2, I found myself back in the place I started.
This is about possession obsession. Mine.
Indianapolis Museum of Art CEO Charles Venable plans to cut costs and use major exhibits to boost attendance—a strategy aimed at reducing the museum’s reliance on investment returns and allowing its endowment to grow back to pre-recession level.
The ISO hopes that occasionally featuring classically trained artists who stray from traditional symphony conventions will tap new audiences and fill empty seats.