All of these work on the same basic premise: Make an offer to customers that is at or better than 50-percent off, use the power of the deal and their social networks to spread the word, and wait for the sales to roll in.
Tyler Perry production was to play Conseco Fieldhouse.
Thoughts on Sarah Ruhl’s play, getting its local premiere at the Phoenix Theatre.
A security overhaul at the Indianapolis Museum of Art promises to be more effective while saving the cash-strapped museum $600,000 a year. More than 50 gallery attendants are gone, and so is the front desk, replaced by visitor assistants, most of whom are local college students.
Thoughts on Indianapolis Opera’s “The Mikado.” Plus, the holiday season arrives early with Beef & Boards’ “White Christmas.”
Last in a month-long series of reviews of “street” restaurants. This week: 106th St. Grill.
Etiquette at Eagles concert in short supply.
The drummer behind Bruce Springsteen and Conan O’Brian took center stage at Jazz Kitchen set.
The organization’s annual convention, which runs Wednesday through Saturday, attracted 375 exhibitors, an impressive number considering the tepid economy.
If you are having trouble finding what’s playing when and where at the Heartland Film Festival, you aren’t alone.
Krzysztof Urbanski, 28, has been named the seventh music director in the Indianapolis Symphony Orchestra’s 80-year-history.
Owners of the Indiana Live racetrack and casino face an interest payment on the lion’s share of their $544 million in debt next month, as credit analysts continue fretting about the company’s ability to pay its bills.
Zionsville gallery owners are stepping up their collective marketing efforts as Carmel’s Arts and Design District has landed a new wave of artists and gallery owners over the past five months.
Van Ausdall & Farrar got its start when innovator Thomas Edison selected it as an Ediphone distributor. Since then, the company has been proud of its association with the American icon, and now Van Ausdall has its own in-house Voice Museum to pay homage to its history.
All 108 eye shadows, every shade of lip gloss and even the makeup brushes lining the walls of her Broad Ripple Studio were designed by Kiralee Hubbard.
Salmon and bacon work together at this Fountain Square eatery.
It’s impossible to extricate Andy Warhol and his art from the world of commerce, because the artist himself was so influenced by—and generated so much—money. Plus, season openers from the Indiana Repertory Theatre and Dance Kaleidoscope.
