Arts organizations count on holiday shows to subsidize riskier programming
In the not-for-profit arts world, the bottom line is dependent on earned income, grants, philanthropic donations—and tried-and-true Christmas offerings.
In the not-for-profit arts world, the bottom line is dependent on earned income, grants, philanthropic donations—and tried-and-true Christmas offerings.
The theater’s new 10-year lease for the 1927 city-owned landmark on West Washington Street hands management duties to IRT and includes an option to renew for another 10 years.
Plus thoughts on the Phoenix Theatre’s thriller ‘On Clover Road’
I’m glad 10,000 students will be seeing quality theater at the Indiana Repertory Theatre. I wish they were also having a blast at Actors Theatre of Indiana.
A vampire, a werewolf, a groundsman with a wooden leg and more are gamely played by two actors, abetted by a backstage crew choreographing costume changes.
Two outer space-focused music events, a killer barber, and more are on the A&E horizon.
If there is such a cultural battle going on, Christmas is winning. Handily.
The city’s attempt to find a partner to manage and redevelop downtown’s historic Indiana Theatre building attracted just one proposal.
The state’s largest regional theater announced a lineup filled with familiar names and titles … plus a few wildcards.
Lou Harry reviews Indiana Repertory Theatre’s production of “What I Learned in Paris” (through April 12) and Dance Kaleidoscope’s “Ray & Ella.”
Whether to join the union has always been a dilemma for regional actors, but in Indianapolis the decision is even more difficult as non-union professional theaters proliferate and offer plum roles to build experience.
Built in 1927, the city-owned landmark has served as the Indiana Repertory Theatre’s home for 35 years. The city and the not-for-profit are working on a lease renewal.
Sparks fly because these people’s different experiences—the lives they’ve led, choices they’ve made, and ways they’ve opted to remember and/or forget their pasts—actually conflict.
A wordless “Peter Pan,” pianists in competition, and a musical “Idiot” among potential highlights in coming months.
The IRT is aiming for a younger audience, staging James Still’s adaptation of Margery Williams' classic children's book "The Velveteen Rabbit" for the preschool set in its underused cabaret space.
Factual and fictional threads weave through John Logan Tony-winning Best Play about artist Mark Rothko. The Indiana Repertory Theatre stages its local premiere
Steven Stolen, a former managing director of the Indiana Repertory Theatre, will work as an independent contractor for 25-30 hours per week until the target Oct. 1 completion of the evaluation.
I’m not talking about the shows they’ve selected, but the promos they created.
Sure-footed and with no real desire to explore new territory, Ken Ludwig’s ‘The Game’s Afoot,’ grafts a fictional mystery onto a real-life actor.
Three spring theater productions address the ecclesiastical. Thoughts on “The Mountaintop,” “The Christians,” and “Anything Goes.”