LOU’S VIEWS: Dramatically different plays
The IRT’s “Other Desert Cities” and Acting Up’s “A Streetcar Named Desire” demonstrate how casting choices influence a play’s impact.
The IRT’s “Other Desert Cities” and Acting Up’s “A Streetcar Named Desire” demonstrate how casting choices influence a play’s impact.
Before he was a literary icon, Vonnegut was a struggling writer finding his voice through short stories. Three are woven together into the play “Who Am I This Time?”
Broadway’s “Ragtime,” Butler’s “Lamentations,” and two Icemen among half a century of theater-going highlights
Plus season openering reviews for “Vanya and Sonia and Masha and Spike” at the Phoenix and NoExit’s “Big Bad Wolf.”
Suzanne Sweeney has decided to stay at the Indiana Repertory Theatre as managing director, a few days before she was supposed to start a new job at the Indianapolis Symphony Orchestra.
Managing Director Steven Stolen will leave the repertory theater for a position with Rocketship Education. Other local performing arts executives stepping down are John Pickett of the Indianapolis Opera and Kirk Trevor of the Indianapolis Chamber Orchestra.
The IRT’s “A Midsummer Night’s Dream” and the Phoenix’ “Clybourne Park” offer pleasures whether you are seeing these plays for the first or fifth time.
A pack of conferencing critics had their eyes opened to Indy’s arts pleasures. In turn, they opened my eyes to some things I shouldn’t take for granted.
Opera star Sylvia McNair offers subtle take on “Send in the Clowns.”
Recently, I dug into the books of three Indiana writers who beat the odds.
With so much to choose from, it’s impossible to say what was best. Instead, here are some of my favorites of the year.
Tradition, by definition, involves familiarity. And three of the top Indy on-stage holiday offerings embrace tradition in their own way.
From election night to the IRT stage, lessons abound.
A trio of Indy theater productions looks at the good in the bad and the bad in the good
The decline in season ticket sales has forced marketing managers to promote each show individually, which is trickier and more costly.
"Fallen Angels” concerns a pair of London gal pals who have in common marriages in need of spark and a past hot-and-heavy relationship with the same man.
Politics aren’t discussed much in Yasmina Reza’s “God of Carnage” (at the IRT through March 24). But after watching a performance, you might find yourself wondering how global superpowers—let alone political parties or religious groups—can possibly get along when the play’s two seemingly civilized couples can’t even have an 85-minute discussion without leaving emotional shrapnel everywhere.
Indiana Repertory Theatre's "Radio Golf," the Phoenix's “Current Economic Conditions,” and Indianapolis Symphony Orchestra rely on character-driven shows.
Highlights included the ISO’s Opening Night Gala, Civic’s “Drowsy Chaperone,” and the opening of the Miller House.
Indiana Repertory Theatre, Actors Theatre of Indiana and newcomer Acting Up mix it up.