IndyBaroque appoints new executive director
Maarten Bout is the new executive director for IndyBaroque, which oversees the Indianapolis Baroque Orchestra and Ensemble Voltaire.
Maarten Bout is the new executive director for IndyBaroque, which oversees the Indianapolis Baroque Orchestra and Ensemble Voltaire.
Daniel Beckley, former executive director of the Charleston Symphony Orchestra, will take responsibility for the Indianapolis Symphony Orchestra and the Hilbert Circle Theatre.
Bob Carter’s Sammy Terry character was a fixture of Indianapolis television from 1962 to 1989, beginning each episode of "Nightmare Theater" on WTTV-TV by climbing out of a coffin with a trademark fiendish chuckle, wearing a blood-red cape and skullcap, and green makeup on his face.
Recipients in central Indiana will include the Indianapolis Children’s Choir, Heartland Truly Moving Pictures, and the Indianapolis Symphony Orchestra.
The Indianapolis Symphony Orchestra is taking out some 1,700 seats dating as far back as the 1930s as part of a renovation of the Hilbert Circle Theatre, with The Strand Theatre in downtown Shelbyville taking enough to redo its 377 seats.
“Ghost Brothers of Darkland County,” which plays in Bloomington and Indianapolis in October, is a musical that’s not quite like anything out there — as you might expect from two of America’s most independent artists.
Suzanne Sweeney has decided to stay at the Indiana Repertory Theatre as managing director, a few days before she was supposed to start a new job at the Indianapolis Symphony Orchestra.
Managing Director Steven Stolen will leave the repertory theater for a position with Rocketship Education. Other local performing arts executives stepping down are John Pickett of the Indianapolis Opera and Kirk Trevor of the Indianapolis Chamber Orchestra.
The state’s largest newspaper is mum on whether reviews will continue after the Friday resignation of its fine arts critic. Arts organizations are taking a wait-and-see attitude.
“Ghost Brothers of Darkland County,” a collaboration with Stephen King, once talked about for Broadway, will hit 20 cities, beginning with Bloomington and Indy.
The new, 450-seat Howard L. Schrott Center for the Arts at Butler University fills a venue gap between the school’s two theaters that each seat about 100 and the 2,200-seat Clowes Memorial Hall.
Simon Crookall, who ended an often-stormy, seven-year run at the Indianapolis Symphony Orchestra in 2012, has been hired to take over the Hawaii Opera Theatre in May.
This year’s event includes more promotion, more prize money—and an art installation of pianos on Monument Circle.
Two years after opening, the Center for the Performing Arts in Carmel is working on its first strategy, an effort aimed at maximizing attendance while providing financial stability.
The interim president and CEO of the Indianapolis Symphony Orchestra plans to leave the organization when her permanent replacement takes over later this month.
The ISO hopes that occasionally featuring classically trained artists who stray from traditional symphony conventions will tap new audiences and fill empty seats.
The Indianapolis Symphony Orchestra said Thursday that it far surpassed its $5 million goal for a fundraising campaign that helped lock in a long-term contract for the ISO's musicians. The campaign raised a total of $8.5 million.
Performers had been working under a bridge agreement since a five-week lockout ended in October. At the time, the parties agreed that a new, five-year contract would go into effect only if the symphony raised $5 million by Feb. 3.
Indianapolis Symphony Orchestra musicians are hoping they'll be able to move forward with a new five-year labor contract even though the ISO is still about $900,000 short of reaching an important $5 million fundraising target only a week before the deadline.
An Indiana House committee has endorsed a two-year extension of regulations on temporary outdoor stage rigging developed following the deadly State Fair stage collapse.