The project would include building a stage house, two sets of restrooms, permanent seating, a VIP building with additional restrooms, an artist amenity building and other unspecified site improvements.
The move could cut potential attendance at Friday evening’s show from about 30,000 to no more than 8,000.
The Indianapolis Symphony Orchestra confirmed Tuesday morning that Krzysztof Urbanski’s contract has been extended. The new deal with the 35-year-old conductor is shorter than the typical music director contract, according to an orchestra consultant.
A southern Indiana tourist site is moving ahead with plans for an indoor performing arts center that local officials hope will lure visitors back to its once-thriving arts-and-music village.
No reason was given for the departure of the 38-year-old virtuoso violinist, who was as well known for his side projects as his work with the Indianapolis Symphony Orchestra.
The owner of Helium Comedy Clubs says he saw lots of opportunity in the Indianapolis metro area, where at least two major comedy venues have closed since last fall.
The River West Theater Company plans to stage its productions in the Indy Convergence arts space and feature repertoire that focuses on black, Latin American, Middle Eastern and Asian communities.
The first episode of the Indianapolis Business Journal’s new weekly podcast explore how future leaders can use the experience of making music to learn how to inspire great performances from their workforces.
Bryan Fonseca’s stunning departure comes in the midst of a major transition for the theater, which just moved into a newly built, $11 million downtown facility on Illinois Street.
Plans for the historic structure in the downtown Chatham Arch neighborhood call for three condominiums priced at roughly $1.1 million each. Work is set to begin early next month.
There is a new, distinctive addition to our local theater scene: Summit Performance aspires to produce “top quality theatre exploring the lives and experiences of women.”
Most musicals come complete with a beginning, a middle and an ending. “The Mystery of Edwin Drood” has the first two but—instead of a single denouement—offers endings, plural.
The struggling venue, which has been on Mass Ave since 1993 and features a 120-seat theater and a 60-seat, cabaret-style theater, closed its doors after the IndyFringe Festival in August.
The entertainment provider is launching its biggest seasons yet at both Ruoff Home Mortgage Music Center in Noblesville and Farm Bureau Insurance Lawn at White River State Park in Indianapolis.
In a somewhat unusual move, the theater is making a public plea for a naming rights sponsor with a specific price tag.
Mayor Jim Brainard’s vision to turn Carmel into a performing arts hub anchored by a world-class concert hall has come true, but without the support of central Indiana’s most important arts funder.
Kansas-native James Still first came to Indianapolis in 1991, to take part in a playwriting symposium. He later landed the role of playwright-in-residence and has had 20 plays produced here.
Broadway phenomenon “Hamilton: An American Musical” is scheduled for Indianapolis as part of an upcoming national tour of the show, but fans will need to be patient.
The group has been putting on plays at a space in Carmel’s Clay Terrace shopping center for more than eight years, thanks in large part to the largesse of the landlord. Now it needs to find a new home.
The improvisation-based company—now known as CSz Indianapolis—just celebrated its 25th year of making-it-up-as-it-goes-along fun. Along the way, it has weathered location shifts, the recession, the post-9/11 comedy crisis and, recently, an ownership change to become the longest-running theater production in the city.
