The Arts Council of Indianapolis and the Indiana Independent Venue Alliance are partnering with a technology company to help Indianapolis venues that want to require patrons attending their events to be vaccinated against COVID-19.
Indiana Repertory Theatre announced three of the season’s six productions on Monday, each with a small cast and each dubbed a “classic” from previous performances at the theater.
Fonseca, who had been the creative force behind the Phoenix for 35 years, left in 2018 and founded the Fonseca Theatre Co. on the city’s near-west side.
The Wood Livery Stable had been a fixture in the southeast quadrant of Monument Circle from 1834 until it moved in 1915. The spot was then demolished to make room for the Circle Theatre.
The all-volunteer group says it needs $30,000 to cover expenses before it’s back up and running in September, when it will stage the ABBA jukebox musical “Mamma Mia!”
Meaden is currently working with former Indianapolis artist Michael Brown on a textbook, “Masks Inside Out,” that’s expected to publish late this year.
Main Street Productions plans to build the 6,800-square-foot theater at 220 N. Union Street, moving the Westfield Playhouse from its current theater on State Road 32 in Eagletown to downtown.
The campaign already has collected $17 million in commitments from donors, officials said. About two-thirds of the ultimate goal is earmarked for beefing up the theater company’s endowment.
Since 1956, Footlite Musicals has built a reputation as a theater for all with volunteer productions of classic musicals. But while Footlite’s bread and butter might be works by the likes of Rodgers & Hammerstein, it has also introduced audiences to many shows unlikely to be seen on other area stages. “Priscilla Queen of the […]
A towering limestone monument to a long-ago Indianapolis mayor will be transformed into a performance venue at Riverside Park, thanks in part to a Lilly Endowment Inc. grant.
Two of Indy’s leading actors gave up lucrative careers in movies, TV and commercials to make a new life for themselves in central Indiana.
Stages around the city are tilting toward the terrifying and dabbling in the macabre at this haunted time of year.
First impressions matter—in life and at the box office. The first show of a theater’s season can define not only expectations, but also fortunes.
The River West Theater Company plans to stage its productions in the Indy Convergence arts space and feature repertoire that focuses on black, Latin American, Middle Eastern and Asian communities.
Bryan Fonseca’s stunning departure comes in the midst of a major transition for the theater, which just moved into a newly built, $11 million downtown facility on Illinois Street.
Plans for the historic structure in the downtown Chatham Arch neighborhood call for three condominiums priced at roughly $1.1 million each. Work is set to begin early next month.
There is a new, distinctive addition to our local theater scene: Summit Performance aspires to produce “top quality theatre exploring the lives and experiences of women.”
Most musicals come complete with a beginning, a middle and an ending. “The Mystery of Edwin Drood” has the first two but—instead of a single denouement—offers endings, plural.
The struggling venue, which has been on Mass Ave since 1993 and features a 120-seat theater and a 60-seat, cabaret-style theater, closed its doors after the IndyFringe Festival in August.
In a somewhat unusual move, the theater is making a public plea for a naming rights sponsor with a specific price tag.
